
In March 2025, True Blue & a Little Bit of Yellow presented a fundraising exhibition titled The Spirit of the Peninsula at Northern Beaches Gallery, Cromer.


Running from 8–22 March, the exhibition invited visitors to walk through the familiar rhythms of the peninsula — its streets, bushland, and the light-filled beaches of North Sydney. The works reflected a strong sense of place while remaining deeply connected to broader stories of belonging and care.
At its heart, The Spirit of the Peninsula was about building a bridge between Australia and Ukraine. Through art, the exhibition created a space for connection, support, and generosity during challenging times, reminding us that local landscapes can carry global meaning.











A Living Language of Colour. Petrykivka is a vibrant Ukrainian folk art style that originated in the village of Petrykivka. It is known for its intricate floral, natural, and animal motifs, traditionally painted on white backgrounds. These compositions symbolise harmony, life, and protection, and for generations have been used to decorate homes, everyday objects, and communal spaces. Today, Petrykivka is recognised by UNESCO as Intangible Cultural Heritage, acknowledging its role in preserving cultural identity through decorative painting. This tradition has always been close to my heart. What distinguishes Petrykivka from other painting styles is the way it is created — everything is built from expressive brushstrokes that feel like footprints left by different brushes and tools, sometimes even fingertip marks. Each stroke is visible, intentional, and alive, forming complex patterns through simple gestures. Petrykivka is also unapologetically colourful, ornate, and joyful. Its energy comes from abundance rather than restraint, from movement rather than symmetry. These qualities resonate deeply with me. They speak of celebration, optimism, and a connection to nature that feels both playful and profound. For me, Petrykivka is more than a decorative style. It is a visual language that carries memory, emotion, and identity — one that continues to inspire my work and reminds me of the power of colour, rhythm, and hand-made marks to tell stories across time and place.

Every so often, a commission opens the door to an entirely new way of thinking. One such moment came when a client asked for something unexpected — a lightweight, sculptural object in the form of puppets. Creating puppets became an unusual and exciting way for me to explore my creativity. They sit somewhere between sculpture, design, and storytelling. Unlike painting, where the surface holds the narrative, puppets demand attention to volume, balance, texture, and movement. Even at rest, they suggest gesture, character, and presence. Working on these pieces allowed me to think beyond the wall and the frame, translating artistic ideas into tactile, three-dimensional forms. Each puppet became a small character — playful, expressive, and full of personality. This unexpected direction reminded me how important it is to stay open as an artist. New materials, new formats, and new requests can lead to discoveries that expand both practice and imagination — sometimes in the most surprising ways.