Photography is another way I tell stories. Through the lens, I focus on capturing the essence of a moment — and quite often, that essence is found in something simple and authentic, like a genuine smile. For me, photography is not about staging perfection, but about conveying mood, feeling, and the small details that make each moment distinct.
My approach is grounded in clarity and intention:
I enjoy creating portraits that feel natural, balanced, and well composed, as well as documenting events in a way that is honest, engaging, and true to the atmosphere of the moment. Whether photographing a performance, an event, or an individual, my focus remains consistent — imagery that communicates clearly and carries emotional weight.
Photography sits naturally alongside my work as an artist and designer, sharing the same principles of observation, composition, and storytelling.
Art & Style magazine has featured a page about my exhibition, Echoes of the Bush. I can’t express how grateful I am to everyone who has supported my journey. Thank you, Wayne. Thank you, Northern Beaches Gallery. Thank you to the Art & Style magazine team. Thank you, Danielle and Doug. The magazine is filled with incredible artists and inspiring stories, so it’s a true honour to be included among them. Thank you all for believing in my art.
My Master of Design (Hon.) at COFA, UNSW focused on one question: How can we improve children’s engagement with printed materials to support better learning outcomes? My research shows that the more areas of the brain engaged in processing information, the stronger the memorisation and recall. I explored how to activate as many of these pathways as possible — story for narrative memory, colour for emotional response, sound and action for sensory cues, spatial awareness for orientation, and visual coding for recognition. In short: designing visuals that teach, entertain, and stay in a child’s memory. But my journey with children’s design began long before my Master’s. Over the years, I’ve illustrated several children’s books and created my own comic book about the adventures of a Ukrainian boy in Australia — writing 20 stories and drawing all of the comic illustrations myself. These projects shaped my understanding of how we see, learn, and connect with visual narratives — a foundation that continues to guide my work today.
