Right to Be Free was an art exhibition by True Blue & a Little Bit of Yellow, created to mark Ukraine’s Independence Day and presented as part of the Freedom. Courage. Culture. performance at Sydney Town Hall in August 2024.
The exhibition focused on fundamental human rights and freedoms — values currently under severe threat in Ukraine due to the unlawful Russian invasion. The visual artworks deliberately reflected the joyful, life-affirming aspects of freedom, while accompanying posters addressed the specific rights being violated. This contrast invited viewers to reflect on what freedom means, and what is at stake when it is taken away.
Presented in the heart of Sydney, the exhibition formed part of a broader cultural program celebrating Ukrainian identity, resilience, and independence.
Right to Be Free was made possible with the support of the City of Sydney, the Ukrainian Council of NSW (UCNSW), the Australian Federation of Ukrainian Organisations, and the artists of True Blue & a Little Bit of Yellow.
The fast-drying nature of acrylic paints brings an entirely different kind of energy to my practice. They provide immediate results and encourage a spontaneous, expressive approach that keeps the process fresh and dynamic. What I love most about acrylics is their incredible versatility. They can be used on canvas, paper, or wood — opening endless creative possibilities for experimentation. Over the years, I’ve come to appreciate many of their qualities: Versatility – suitable for almost any surface. Quick drying – perfect for working in layers or capturing fast-changing ideas. Water-soluble – easy to clean and manipulate. Layering and texture – ideal for building depth and tactile interest.
Every so often, a commission opens the door to an entirely new way of thinking. One such moment came when a client asked for something unexpected — a lightweight, sculptural object in the form of puppets. Creating puppets became an unusual and exciting way for me to explore my creativity. They sit somewhere between sculpture, design, and storytelling. Unlike painting, where the surface holds the narrative, puppets demand attention to volume, balance, texture, and movement. Even at rest, they suggest gesture, character, and presence. Working on these pieces allowed me to think beyond the wall and the frame, translating artistic ideas into tactile, three-dimensional forms. Each puppet became a small character — playful, expressive, and full of personality. This unexpected direction reminded me how important it is to stay open as an artist. New materials, new formats, and new requests can lead to discoveries that expand both practice and imagination — sometimes in the most surprising ways.
