During the Rooted in Nature exhibition, I ran two small, intimate workshops focused on observing nature through different lenses. The first workshop explored trees from a distance — their shapes, rhythm, and presence in the landscape. The second shifted to a close-up study of eucalypt blooms, celebrating detail, texture, and colour.
Working with texture paste and acrylic, we built layered, expressive surfaces full of energy. I keep my groups small to allow for a more personal approach, and although everyone followed the same process, each artwork turned out completely different.
There is something truly magical about creating inside an exhibition space. Being surrounded by artworks and artists in the act of making seems to boost creativity and confidence — the energy is contagious. Both groups did an incredible job, and I’m genuinely proud of the results and the courage they brought to their work.
One question keeps coming up: what’s next? I’m delighted to share that my work has been selected as a finalist in the Hunters Hill Art Prize 2026. It’s an honour to be part of this exhibition alongside a strong group of selected artists, all coming together in the beautiful Hunters Hill Town Hall. The work I’ve entered, Soft Country — Eucalyptus Socialis, continues my exploration of Australian native trees — their presence, individuality, and the subtle complexity of their colour and form. If you’d like to see it in person, here are the exhibition details: Buyers’ Preview Thursday 21 May 2026, 7pm – 8pm Canapés and drinks available Opening Night Friday 22 May 2026, 6pm – 8pm Canapés and drinks available
