During the Rooted in Nature exhibition, I ran two small, intimate workshops focused on observing nature through different lenses. The first workshop explored trees from a distance — their shapes, rhythm, and presence in the landscape. The second shifted to a close-up study of eucalypt blooms, celebrating detail, texture, and colour.
Working with texture paste and acrylic, we built layered, expressive surfaces full of energy. I keep my groups small to allow for a more personal approach, and although everyone followed the same process, each artwork turned out completely different.
There is something truly magical about creating inside an exhibition space. Being surrounded by artworks and artists in the act of making seems to boost creativity and confidence — the energy is contagious. Both groups did an incredible job, and I’m genuinely proud of the results and the courage they brought to their work.
I’m deeply honoured that my painting, St. Andrew’s Church in Kyiv, Ukraine is now part of the City of Sydney Civic Collection. This artwork was officially presented in May 2025 by Andrew Mencinsky, President of the Ukrainian Council of NSW, to Lord Mayor Clover Moore and the City of Sydney—a gesture of gratitude for their ongoing support of displaced Ukrainians and our community since the beginning of Russia’s full-scale invasion in 2022. St. Andrew’s Church is a treasured Baroque gem of Kyiv, perched above the historic Podil district. Designed by Italian architect Francesco Bartolomeo Rastrelli in the 18th century, it stands as both a cultural icon and a spiritual beacon. This church holds a special place in my heart — my mum and grandfather were born not far from it, and during my art school years we spent many plein air sessions painting around its beautiful grounds. The presentation took place a month ago, but I was waiting for the official photos before sharing this moment with you. Australia’s support of Ukraine and part of my home city Kyiv, now represented in Sydney’s civic collection means more than words can express.
Mosaic has always fascinated me for its quiet complexity. There is something magical in planning to deconstruct a design into small pieces, only to assemble it again into a new whole. Each fragment carries its own presence, yet only truly comes alive in relationship to the others. Our eye moves naturally along the lines between the pieces, enjoying the rhythm of separation as much as the image they form together. We see the individual elements, the design they create collectively, and the spaces in between — all at once. That simultaneous experience is what makes mosaic so compelling to me: multifaceted, layered, and endlessly engaging. Beyond its visual richness, mosaic surfaces are also wonderfully practical. They are not afraid of a hot cup, a wet glass, a scratch, or a spill. This combination of beauty and durability is what makes mosaic especially appealing to me — art that can be lived with, touched, and used every day.
