Sometimes, I run very small, intimate workshops—just three participants—so each person can explore their own individual theme. This particular workshop was organised and sponsored by CMRC and contributed to the exhibition Borders, Bonds, Belonging, held at Ngurra Gunya Exhibition Hall, Parramatta Square. The exhibition, organised by CMRC and ADSi, was part of #RefugeeWeek2025 — a time to reflect, connect, and stand in solidarity amid global displacement and conflict.
Twelve talented Ukrainians shared their culture through paintings, music, and poetry, creating a powerful celebration of identity and resilience.
Our workshop took place in my art studio, which conveniently had all the supplies ready. The theme was open: participants could explore anything that reminded them of Ukraine or anything particular they love about Australia. The results were personal, heartfelt, and inspiring — a true testament to the power of creativity in connecting people and cultures.
True Blue & a Little Bit of Yellow, in collaboration with CBD Gallery, presented a fundraising exhibition in the heart of Sydney titled A Love Letter to the Ocean. Created by five artists of Ukrainian heritage, the exhibition was dedicated to the water element and to a shared love of the ocean. Working across different styles and mediums — from ancient techniques and classicism to impressionism, divisionism, and fine art photography — the artists invited viewers to dive into blue, touched gently with yellow. We extend our sincere gratitude to Xiaoxiao Zhang for her invaluable support in providing CBD Gallery as the venue for this fundraiser, and for her continued support of Ukraine. The exhibition was held at CBD Gallery, Sydney, from 6–19 October 2023
My journey with jewellery began in 2008, after a workshop in Kyiv sparked my curiosity about working on a small, intimate scale. What started as experimentation soon grew into a deeper fascination with adornment as both object and cultural expression. My interest truly ignited while curating a fashion show of traditional Ukrainian clothing. Immersing myself in the richness of these garments led me to closely study traditional Ukrainian multi-row jewellery — its structure, symbolism, rhythm, and presence. These pieces are more than decoration; they carry history, identity, and a strong visual language. Since then, I have created hundreds of jewellery pieces, each one informed by that tradition while shaped through my own contemporary sensibility. Working at this scale allows for precision, repetition, and variation — a dialogue between heritage and personal expression. Jewellery, for me, is another way of telling stories through form and material — wearable, tactile, and closely connected to the body.
