A Living Language of Colour. Petrykivka is a vibrant Ukrainian folk art style that originated in the village of Petrykivka. It is known for its intricate floral, natural, and animal motifs, traditionally painted on white backgrounds. These compositions symbolise harmony, life, and protection, and for generations have been used to decorate homes, everyday objects, and communal spaces. Today, Petrykivka is recognised by UNESCO as Intangible Cultural Heritage, acknowledging its role in preserving cultural identity through decorative painting.
This tradition has always been close to my heart. What distinguishes Petrykivka from other painting styles is the way it is created — everything is built from expressive brushstrokes that feel like footprints left by different brushes and tools, sometimes even fingertip marks. Each stroke is visible, intentional, and alive, forming complex patterns through simple gestures.
Petrykivka is also unapologetically colourful, ornate, and joyful. Its energy comes from abundance rather than restraint, from movement rather than symmetry. These qualities resonate deeply with me. They speak of celebration, optimism, and a connection to nature that feels both playful and profound.
For me, Petrykivka is more than a decorative style. It is a visual language that carries memory, emotion, and identity — one that continues to inspire my work and reminds me of the power of colour, rhythm, and hand-made marks to tell stories across time and place.
Books have always felt magical to me. Unlike social media, they don’t disappear into a feed — they stay in your hands, on your shelf, and in your life. A book captures what’s important and preserves it for generations. And to make that experience meaningful, every detail matters. Over the years, I’ve worked on many publications — sometimes creating the layout, other times designing covers, illustrations, or managing the entire visual direction. One of my favourite projects was Taste of Ukraine, published by the Australian Publishing Company (sovabooks.com.au). I created the cover illustrations and the full layout — and the book went on to win the 2013 Gourmand World Cookbook Award. I’ve also worked with community organisations, including Ukrainians Down Under for AFUO, where I served as both editor and designer for their catalogue. Four Jubilee Book for Intersession of Holy Virgin Parish is one of the thickest and most comprehensive publication I’ve worked on to date. Each book is its own world — structured, tactile, permanent. And I love shaping those worlds so they’re clear, beautiful, and built to last.
Pseudo stained glass is a refined decorative art technique that transforms doors, windows, and interior objects into luminous design features. Created with special transparent paints, this approach allows light to pass through the surface, filling the room with colour and creating a soft, fairytale-like atmosphere within the interior. When daylight moves through the painted surface, the colours come alive, subtly shifting throughout the day and enhancing the emotional quality of the space. One of the key advantages of pseudo stained glass is its ability to match and enhance the existing interior style. From soft, minimal colour schemes to more expressive, ornamental designs, each piece is created in dialogue with the architecture, materials, and colour palette of the room. The artwork becomes an integrated part of the interior rather than a separate decorative element. Pseudo stained glass works beautifully as an accent feature or as a focal point, adding depth, warmth, and a sense of wonder. It is particularly effective in spaces where natural light plays an important role, turning everyday architectural elements into sources of colour and atmosphere.
