Textile & Clothing Decoration — Wearable Statements. Working with textiles and clothing gives me a sense of freedom that few other mediums offer. It opens up the possibility to create one-of-a-kind pieces — garments that carry individuality, intention, and personality. Through colour, pattern, and detail, clothing becomes a way to shape an individual style, highlight accents, and, just as importantly, draw attention away from areas you’d rather keep understated.
Individually decorated clothes are statements. They speak about who you are — your boldness or softness, your playfulness or restraint, and what truly matters to you. A painted jacket, dress, or pair of jeans can express confidence, curiosity, or a quiet sense of joy without saying a word.
I create textile and clothing designs using high-quality acrylic paints that are washable, durable, and resistant to sunlight, allowing the artwork to be worn and enjoyed over time. Decoration can also be practical: a favourite jacket with an unremovable stain can be transformed into something even more loved.
Bring me your old dress, jacket, or jeans, and we can make it new again. One of my clients spent his entire working life in neutral, formal suits. After retiring, he discovered the pleasure of colour — and his decorated jeans became a joyful declaration: I am ready for all the colours of the world.
If you’re looking for a statement piece in your wardrobe — or a creative way to reimagine something you already own — I’d love to help you create it.
Cultural Production at Scale: Behind the Scenes of Diplomatic Performances. Large-scale cultural productions rely on careful planning, close collaboration, and deep respect for historical detail. The costume performance at the National Gallery of Australia, Canberra, in 2019 was the most complex project of this kind that I coordinated. It was created for the Embassy of Ukraine and the Ukrainian Women’s Association, and held in honour of the late Christine (Hrystyna) Syvenkyj-Bailey, whose lifelong dedication to Ukrainian cultural heritage continues to resonate deeply. The project required working across multiple teams and private collections to deliver a unified and meaningful performance for a diplomatic audience. For this event, I coordinated 29 models and 17 private collectors, alongside multiple cultural organisations and contributors, bringing together diverse elements into a single coherent presentation. Every detail — from costume construction to the order of presentation — was carefully curated to communicate a clear cultural narrative. My responsibilities spanned curatorial decision-making, logistical coordination, visual design, and narrative development, ensuring that each component supported the overall experience. An earlier performance in 2018, initiated by Christine Syvenkyj-Bailey, was created primarily on the basis of her personal collection. My role focused on shaping the presentation, coordinating contributors, and translating the collection into a clear and engaging public performance. Creating region-appropriate floral head wreaths and jewellery for such a large number of models was particularly challenging, both creatively and logistically. Managing the transport, handling, and return of numerous historical and handmade items required precision and care, but the process was completed successfully without loss or damage. Following the event, I designed a commemorative calendar featuring photographs taken during the performance by Tetiana Matsypura, extending the life of the project beyond the event itself.
My journey with jewellery began in 2008, after a workshop in Kyiv sparked my curiosity about working on a small, intimate scale. What started as experimentation soon grew into a deeper fascination with adornment as both object and cultural expression. My interest truly ignited while curating a fashion show of traditional Ukrainian clothing. Immersing myself in the richness of these garments led me to closely study traditional Ukrainian multi-row jewellery — its structure, symbolism, rhythm, and presence. These pieces are more than decoration; they carry history, identity, and a strong visual language. Since then, I have created hundreds of jewellery pieces, each one informed by that tradition while shaped through my own contemporary sensibility. Working at this scale allows for precision, repetition, and variation — a dialogue between heritage and personal expression. Jewellery, for me, is another way of telling stories through form and material — wearable, tactile, and closely connected to the body.
