
I am delighted to share that I have been accepted as a member of the Royal Art Society of New South Wales (RAS NSW).


Founded in 1880, the Royal Art Society of New South Wales has supported Australian artists for more than 145 years through exhibitions, education and the promotion of visual arts. Becoming part of this long-standing artistic community is an important milestone in my professional journey.
As an artist, I am continually seeking opportunities to grow, connect with fellow artists, and contribute to Australia's vibrant arts community. Membership in the Society provides the opportunity to engage with a network of talented artists, participate in exhibitions, and continue developing my artistic practice.
Over the past few years, my work has increasingly focused on celebrating the unique beauty of the Australian landscape through my Tree Portraits series. By combining sculptural relief surfaces with carefully observed colour and light, I aim to encourage viewers to slow down, notice the individuality of native trees, and deepen their connection with the Australian bush.
Joining the Royal Art Society marks another step in this journey. I look forward to exhibiting with the Society, meeting fellow members, and continuing to develop my work while contributing to this respected artistic community.
I would like to thank the Royal Art Society of New South Wales for welcoming me as a member, and I look forward to the opportunities and friendships that lie ahead.

Knowing your tools deeply — how they behave, how they age, how they respond to light and heat — changes the way you work and the confidence with which you make decisions. During my time at Azur Studio in Kyiv, we took part in a number of art trips across Europe, visiting paint and medium manufacturers directly. These experiences were invaluable. Being able to ask questions about materials from the people who created them — the chemists, designers, and technicians behind the products — gave us insights no manual or catalogue ever could. Who could know the materials better than those who developed them? Along the way, we also participated in workshops with local designers who introduced us to the full potential of different gels and pastes, transparent and opaque paints, and specialised products for textile decoration and pseudo stained glass. We explored techniques for creating patina, working with gilding, and layering surfaces in ways that expanded both technical knowledge and creative possibility. I often find myself missing those times — being surrounded by like-minded professionals, travelling, learning, experimenting, and talking endlessly about what we loved most: paint, surface, and decoration. Those journeys shaped not only my technical approach, but also my respect for materials as active partners in the creative process.

My newest artwork, What the Red Caps Hide: Lime Bloom, was SOLD at the 50x50 Exhibition at Brunswick Street Gallery, Melbourne. This tree portrait is inspired by the extraordinary flowers and seed capsules of Eucalyptus macrandra. The vivid red nut caps seem to guard a surprise beneath them: luminous lime-green blossoms that transform the tree into an explosion of colour. What the Red Caps Hide: Lime Bloom 2026 Acrylic and texture paste on wood 50 × 50 cm 📍 Brunswick Street Gallery Level 1 & 2, 322 Brunswick Street, Fitzroy VIC 3065 🗓 Exhibition: 20 June – 3 July 🥂 Opening Night: Friday 26 June, 6–9 pm 🕙 Open Tue–Sat 10am–5pm | Sun 11am–4pm | Closed Mondays Still time to see the 2026 Fifty Squared Art Prize — Australia’s largest open-call exhibition for wall-based works (50×50cm and under), featuring over 900 artworks. So much incredible work in one space — a true snapshot of contemporary practice.