After a long period of planning, preparation and creating new teaching materials, I am delighted to announce that I am finally opening my studio doors to those who would like to learn how to create art with me.
Over the years, many people have asked whether I teach. I wanted to wait until I could welcome participants to my newly renovated studio and offer a truly enjoyable creative experience. That time has now arrived.
My workshops are designed for adults and young people aged 12 and over, and all skill levels are welcome. You will learn the techniques I use in my own work, including building sculptural surfaces with texture paste, working with layered acrylics, and creating depth, light and atmosphere in your paintings, along with many other practical tips and techniques. Maximum of 7 participants to ensure plenty of individual step by step guidance and personal attention.
New workshops will be added throughout the year, each exploring a different Australian native subject and artistic technique.
Visit the All Things Creative section in my Shop to see the workshops currently available.
If a workshop is fully booked, please let me know which workshop interests you and your preferred day or time, and I'll do my best to schedule another session. You can also subscribe to my newsletter to be the first to hear about new workshops, special events and creative opportunities.
I look forward to welcoming you to my studio, sharing my passion for art, and, of course, enjoying a cup of tea together!
Trained in the classical European school of realistic drawing and painting, I’ve worked across many mediums, but today I am best known for textural acrylic and oil works that focus on the individuality of Australian flora. My process begins with shallow sculptural relief backgrounds that capture the forms and textures of the bush. Onto these surfaces, I layer subtle hues and naturalistic details. From afar, the paintings often read as abstract compositions; up close, they reveal intricate studies of colour and form. As a newcomer to Australia, painting became my way of connecting with this land — learning its trees, flowers, and light through observation. I believe that when we truly know something, we begin to care for it. My work invites viewers to see the bush not as a uniform green mass, but as a collection of distinct, vibrant individuals.
Over the past months, I’ve been honoured to be selected as a finalist in several exhibitions across Australia. Being part of the evolving art mosaic in Sydney and beyond is something I truly value. In October, my work was shown at Gallery 11:11, followed by Bridges to Belonging in Adelaide in November — an exhibition that explored connection, identity, and shared stories. December brought another exciting milestone: I was delighted to be a finalist in the 40 by 40 Exhibition at Newcastle Art Space 🎉 This exhibition celebrates over forty years of a vibrant creative community and showcases artworks measuring 40 × 40 cm — a reminder that great art can come in small packages. The exhibition ran in early December 2025. Also in December, I was selected to participate in The Summer Prize Exhibition at Northern Beaches Gallery, an exhibition absolutely worth visiting with many outstanding works on display. Among them was my painting Jingymia mallee — Eucalyptus synandra, shown in late December. Another memorable moment from this period was seeing one of my artworks sold at auction directly from the concert stage — a powerful reminder of how art can live and breathe beyond gallery walls. Currently, my work Nocturne for Large-Fruited Mallee is on display at:
