Edipresse Ukraine, International Publishing House

36 issues of Fun ideas magazine

Before moving to Australia, I spent five formative years working at Edipresse Ukraine, an international publishing house. I began as a designer and illustrator and later took on the role of chief editor, alongside working as a photographer and illustrator. This period played a significant role in shaping my approach to clarity, storytelling, and creating strong, high-quality visual narratives.

Horoscope magazine 2006
Horoscope magazine illustration

Between 2004 and 2009, I worked across a wide range of publications and roles:

  • 2006–2009 — Chief Editor, Photographer, Designer & Illustrator, Fun Ideas (children’s craft magazine)
  • 2006 — Designer & Illustrator, English Teen Club (English-learning magazine for teenagers)
  • 2004–2008 — Illustrator, Horoscope (women’s magazine)
  • 2005 — Designer, Marketing Department
  • 2004 — Designer & Illustrator, Preschool Academy (children’s educational magazine)

Working within a fast-paced publishing environment taught me how to balance creativity with structure, deadlines, and audience needs. I learned how words and images support one another, and how thoughtful design can guide attention, communicate ideas clearly, and tell stories that engage readers of all ages.

Horoscop magazines
Horoscope Magazine 2005
Fun ideas magazines for kids
English teen club magazine
Illustration to a magazine
Green multi raws necklace

“Jewellery ”

My journey with jewellery began in 2008, after a workshop in Kyiv sparked my curiosity about working on a small, intimate scale. What started as experimentation soon grew into a deeper fascination with adornment as both object and cultural expression. My interest truly ignited while curating a fashion show of traditional Ukrainian clothing. Immersing myself in the richness of these garments led me to closely study traditional Ukrainian multi-row jewellery — its structure, symbolism, rhythm, and presence. These pieces are more than decoration; they carry history, identity, and a strong visual language. Since then, I have created hundreds of jewellery pieces, each one informed by that tradition while shaped through my own contemporary sensibility. Working at this scale allows for precision, repetition, and variation — a dialogue between heritage and personal expression. Jewellery, for me, is another way of telling stories through form and material — wearable, tactile, and closely connected to the body.

Exhibition at Sydney Town Hall foyer

“Right to Be Free exhibition at Sydney Town Hall”

Right to Be Free was an art exhibition by True Blue & a Little Bit of Yellow, created to mark Ukraine’s Independence Day and presented as part of the Freedom. Courage. Culture. performance at Sydney Town Hall in August 2024. The exhibition focused on fundamental human rights and freedoms — values currently under severe threat in Ukraine due to the unlawful Russian invasion. The visual artworks deliberately reflected the joyful, life-affirming aspects of freedom, while accompanying posters addressed the specific rights being violated. This contrast invited viewers to reflect on what freedom means, and what is at stake when it is taken away. Presented in the heart of Sydney, the exhibition formed part of a broader cultural program celebrating Ukrainian identity, resilience, and independence.

Round coffee table with rose design on top

“Furniture decor”

Furniture Decoration — Art You Can Live With. Working with furniture brings me a particular kind of joy. Three-dimensional objects are experienced from all sides, revealing a different picture as you move around them. There is something deeply satisfying about applying art to forms that are not only observed, but used and lived with every day. Chairs, tables, cabinets, and screens become surfaces where colour, texture, and form extend beyond the wall. Decorated furniture has the power to anchor a room. It can become a focal point, decisively unify a colour palette, or bring cohesion to an interior style. When art moves into functional objects, it becomes part of daily rituals, adding character and warmth to everyday moments. The process becomes even more meaningful when an old piece is given a second life. Repairing, recolouring, redesigning, reimagining, and reusing transforms something forgotten into something personal and renewed. Furniture decoration is, for me, a way of combining creativity with care — honouring what already exists while shaping it into something fresh, purposeful, and full of story.