April 2026 I hosted two intimate painting workshops, each with its own seasonal story.
The second one was inspired by European Easter traditions, light-filled spring mornings, and daffodils as their purest embodiment of renewal.
✨ Easter Light & Daffodils Workshop ✨
A hands-on painting workshop held alongside my solo exhibition at Art Space Gallery.
We’ll work with simple sculptural techniques using impasto medium and acrylic paint, exploring how light gently settles on form — creating luminous highlights, soft shadows, and a subtle relief surface.
This workshop is about slowing down, creating with intention, and building an Easter mood with your own hands.
Calm, welcoming, and designed for all skill levels.
Art Space Gallery – The Concourse
Impasto medium & acrylic on board
All materials supplied
Suitable for adults — no prior experience needed
Suitable for children 12+
Limited to just 10 participants — bookings essential
My newest artwork, What the Red Caps Hide: Lime Bloom, was SOLD at the 50x50 Exhibition at Brunswick Street Gallery, Melbourne. This tree portrait is inspired by the extraordinary flowers and seed capsules of Eucalyptus macrandra. The vivid red nut caps seem to guard a surprise beneath them: luminous lime-green blossoms that transform the tree into an explosion of colour. What the Red Caps Hide: Lime Bloom 2026 Acrylic and texture paste on wood 50 × 50 cm 📍 Brunswick Street Gallery Level 1 & 2, 322 Brunswick Street, Fitzroy VIC 3065 🗓 Exhibition: 20 June – 3 July 🥂 Opening Night: Friday 26 June, 6–9 pm 🕙 Open Tue–Sat 10am–5pm | Sun 11am–4pm | Closed Mondays Still time to see the 2026 Fifty Squared Art Prize — Australia’s largest open-call exhibition for wall-based works (50×50cm and under), featuring over 900 artworks. So much incredible work in one space — a true snapshot of contemporary practice.
In 2018, I was invited to curate and coordinate a cultural performance for a diplomatic function at the National Gallery of Australia, at the request of the Embassy of Ukraine and on the initiative of Christine Syvenkyj-Bailey. The performance was created primarily from Christine Syvenkyj-Bailey’s private collection, with additional contributions from the collections of Sonia Mycak and Roxolana Mishalow. I am deeply grateful to them for their generosity and trust. This project was far more than event coordination — it was about giving history a voice. Every costume, ornament, and movement carried memory, identity, and meaning. My role was to carefully weave these elements into a coherent narrative that honoured tradition while allowing it to live and breathe in the present moment. I oversaw the entire creative and organisational process: selecting traditional Ukrainian costume elements, sourcing authentic garments and objects from private collectors, and recreating historical headpieces and jewellery where originals could not be used. I wrote the presentation script to guide the audience through the story, and designed all visual and printed materials — from slides and banners to invitations, gifts, and calendars — ensuring a unified visual language throughout the event. Behind the scenes, the work was equally intricate. I coordinated models and assistants, managed the careful transport of costumes and artefacts from Sydney to Canberra and back, and balanced countless logistical details so that, on the day, everything felt effortless and dignified. What emerged was not simply a performance, but a living expression of cultural memory.
