My newest artwork, What the Red Caps Hide: Lime Bloom, was SOLD at the 50x50 Exhibition at Brunswick Street Gallery, Melbourne.
This tree portrait is inspired by the extraordinary flowers and seed capsules of Eucalyptus macrandra. The vivid red nut caps seem to guard a surprise beneath them: luminous lime-green blossoms that transform the tree into an explosion of colour.
What the Red Caps Hide: Lime Bloom
2026
Acrylic and texture paste on wood
50 × 50 cm
📍 Brunswick Street Gallery
Level 1 & 2, 322 Brunswick Street, Fitzroy VIC 3065
🗓 Exhibition: 20 June – 3 July
🥂 Opening Night: Friday 26 June, 6–9 pm
🕙 Open Tue–Sat 10am–5pm | Sun 11am–4pm | Closed Mondays
Still time to see the 2026 Fifty Squared Art Prize — Australia’s largest open-call exhibition for wall-based works (50×50cm and under), featuring over 900 artworks. So much incredible work in one space — a true snapshot of contemporary practice.
Breathing Space was a group exhibition by True Blue & a Little Bit of Yellow, held at The Art House, Wyong, NSW, from 1–25 May 2024. It felt good to return to the Central Coast and exhibit together once again. The works on display moved between bold painterly gestures and refined detail, with many pieces inspired by the coastal landscapes of the Central Coast and Sydney’s Northern Beaches. The exhibition offered space for colour, reflection, and connection — a moment to pause, breathe, and engage with art grounded in place and experience. Breathing Space was both a return and a continuation — of shared practice, shared values, and ongoing support through art.
My journey with jewellery began in 2008, after a workshop in Kyiv sparked my curiosity about working on a small, intimate scale. What started as experimentation soon grew into a deeper fascination with adornment as both object and cultural expression. My interest truly ignited while curating a fashion show of traditional Ukrainian clothing. Immersing myself in the richness of these garments led me to closely study traditional Ukrainian multi-row jewellery — its structure, symbolism, rhythm, and presence. These pieces are more than decoration; they carry history, identity, and a strong visual language. Since then, I have created hundreds of jewellery pieces, each one informed by that tradition while shaped through my own contemporary sensibility. Working at this scale allows for precision, repetition, and variation — a dialogue between heritage and personal expression. Jewellery, for me, is another way of telling stories through form and material — wearable, tactile, and closely connected to the body.
