Cultural Production at Scale: Behind the Scenes of Diplomatic Performances. Large-scale cultural productions rely on careful planning, close collaboration, and deep respect for historical detail. The costume performance at the National Gallery of Australia, Canberra, in 2019 was the most complex project of this kind that I coordinated. It was created for the Embassy of Ukraine and the Ukrainian Women’s Association, and held in honour of the late Christine (Hrystyna) Syvenkyj-Bailey, whose lifelong dedication to Ukrainian cultural heritage continues to resonate deeply.
The project required working across multiple teams and private collections to deliver a unified and meaningful performance for a diplomatic audience. For this event, I coordinated 29 models and 17 private collectors, alongside multiple cultural organisations and contributors, bringing together diverse elements into a single coherent presentation.
Every detail — from costume construction to the order of presentation — was carefully curated to communicate a clear cultural narrative. My responsibilities spanned curatorial decision-making, logistical coordination, visual design, and narrative development, ensuring that each component supported the overall experience.
An earlier performance in 2018, initiated by Christine Syvenkyj-Bailey, was created primarily on the basis of her personal collection. My role focused on shaping the presentation, coordinating contributors, and translating the collection into a clear and engaging public performance.
Creating region-appropriate floral head wreaths and jewellery for such a large number of models was particularly challenging, both creatively and logistically. Managing the transport, handling, and return of numerous historical and handmade items required precision and care, but the process was completed successfully without loss or damage. Following the event, I designed a commemorative calendar featuring photographs taken during the performance by Tetiana Matsypura, extending the life of the project beyond the event itself.
A huge thank you to everyone who joined the workshop! I’m so proud of the beautiful creations you brought to life and all that you achieved with your creativity. A special shoutout to Sandy Bake Shop for hosting us in such a lovely space — your warm and welcoming environment made the day even more enjoyable. And of course, thank you to Nataliya Bake For Ukraine for the delicious sweet treats — you added that extra touch of magic to our day! It was such a joy to share this creative experience with you all. I can’t wait for the next one!
Books have always felt magical to me. Unlike social media, they don’t disappear into a feed — they stay in your hands, on your shelf, and in your life. A book captures what’s important and preserves it for generations. And to make that experience meaningful, every detail matters. Over the years, I’ve worked on many publications — sometimes creating the layout, other times designing covers, illustrations, or managing the entire visual direction. One of my favourite projects was Taste of Ukraine, published by the Australian Publishing Company (sovabooks.com.au). I created the cover illustrations and the full layout — and the book went on to win the 2013 Gourmand World Cookbook Award. I’ve also worked with community organisations, including Ukrainians Down Under for AFUO, where I served as both editor and designer for their catalogue. Four Jubilee Book for Intersession of Holy Virgin Parish is one of the thickest and most comprehensive publication I’ve worked on to date. Each book is its own world — structured, tactile, permanent. And I love shaping those worlds so they’re clear, beautiful, and built to last.
