
From time to time, someone commissions a portrait not simply as an artwork, but as a way to preserve a presence — a face, a character, a moment in life meant to last beyond the present. Portraits hold a unique place in art because they are created with the future in mind, becoming part of a family’s visual history.


When I work on a portrait, my focus goes beyond likeness. I look for what makes a person recognisable to those who love them — a certain expression, a posture, a quiet strength or warmth that speaks of who they are. These details are often subtle, but they are what transform a portrait into something deeply personal.
Commissioned portraits are often created to mark important moments: a milestone, a legacy, or a tribute. Over time, they become witnesses to family stories, passed from one generation to the next, carrying memory, identity, and connection.
For me, creating a portrait is a shared process built on trust and attentiveness. It is about honouring the individual and creating a work that will continue to speak long after the sitting has ended — a lasting memory, held in paint.











In March 2025, True Blue & a Little Bit of Yellow presented a fundraising exhibition titled The Spirit of the Peninsula at Northern Beaches Gallery, Cromer. Running from 8–22 March, the exhibition invited visitors to walk through the familiar rhythms of the peninsula — its streets, bushland, and the light-filled beaches of North Sydney. The works reflected a strong sense of place while remaining deeply connected to broader stories of belonging and care. At its heart, The Spirit of the Peninsula was about building a bridge between Australia and Ukraine. Through art, the exhibition created a space for connection, support, and generosity during challenging times, reminding us that local landscapes can carry global meaning.

The 7th fundraising exhibition by True Blue & a Little Bit of Yellow took place at Incinerator Art Space, Willoughby, from 16–27 November 2022, and remains one of our most memorable milestones. Over two weeks, we were overwhelmed by the support, kindness, respect, and genuine engagement from the local community. Australiana brought together seven artists and resulted in 18 of 30 artworks sold, with close to $10,000 raised to support people in Ukraine during a time of great need. The exhibition was alive with connection and participation. I conducted two highly successful workshops on site, including a painting workshop where Scarlett Banksia bloomed across every artwork, and a special children’s workshop for students from Nova Ukrainian School. Seeing young participants engage with art in this context was deeply moving. We were honoured to welcome remarkable supporters and guests at the opening, including Mayor of Willoughby City Tanya Taylor, MP Tim James, Honorary Consul of Ukraine in Sydney Jaroslav Duma, Deputy Chief of Mission Volodymyr Shalkivski, Co-chair of the Australian Federation of Ukrainian Organisations Kateryna Argirou, and many others. The opening was enriched by the music of Harrison Taranec on tenor saxophone, and the closing event was beautifully marked by violinist Maryana Sywak from Jaga Band. Australiana was more than an exhibition — it was a shared effort, a meeting of art, community, and generosity, and a powerful reminder of what can be achieved when people come together with care and purpose.