One question keeps coming up: what’s next?
I’m delighted to share that my work has been selected as a finalist in the Hunters Hill Art Prize 2026. It’s an honour to be part of this exhibition alongside a strong group of selected artists, all coming together in the beautiful Hunters Hill Town Hall.
The work I’ve entered, Soft Country — Eucalyptus Socialis, continues my exploration of Australian native trees — their presence, individuality, and the subtle complexity of their colour and form.
If you’d like to see it in person, here are the exhibition details:
Buyers’ Preview
Thursday 21 May 2026, 7pm – 8pm
Canapés and drinks available
Opening Night
Friday 22 May 2026, 6pm – 8pm
Canapés and drinks available
General Exhibition
Saturday 23 May – Sunday 31 May 2026
10am – 4pm daily
Location
Hunters Hill Town Hall
22 Alexandra Street
Hunters Hill NSW 2110
Tickets will be available online closer to the date trough Hunters Hill website.
I hope to see you there.
Knowing your tools deeply — how they behave, how they age, how they respond to light and heat — changes the way you work and the confidence with which you make decisions. During my time at Azur Studio in Kyiv, we took part in a number of art trips across Europe, visiting paint and medium manufacturers directly. These experiences were invaluable. Being able to ask questions about materials from the people who created them — the chemists, designers, and technicians behind the products — gave us insights no manual or catalogue ever could. Who could know the materials better than those who developed them? Along the way, we also participated in workshops with local designers who introduced us to the full potential of different gels and pastes, transparent and opaque paints, and specialised products for textile decoration and pseudo stained glass. We explored techniques for creating patina, working with gilding, and layering surfaces in ways that expanded both technical knowledge and creative possibility. I often find myself missing those times — being surrounded by like-minded professionals, travelling, learning, experimenting, and talking endlessly about what we loved most: paint, surface, and decoration. Those journeys shaped not only my technical approach, but also my respect for materials as active partners in the creative process.
I am delighted to share that I have been accepted as a member of the Royal Art Society of New South Wales (RAS NSW). Founded in 1880, the Royal Art Society of New South Wales has supported Australian artists for more than 145 years through exhibitions, education and the promotion of visual arts. Becoming part of this long-standing artistic community is an important milestone in my professional journey. As an artist, I am continually seeking opportunities to grow, connect with fellow artists, and contribute to Australia's vibrant arts community. Membership in the Society provides the opportunity to engage with a network of talented artists, participate in exhibitions, and continue developing my artistic practice. Over the past few years, my work has increasingly focused on celebrating the unique beauty of the Australian landscape through my Tree Portraits series. By combining sculptural relief surfaces with carefully observed colour and light, I aim to encourage viewers to slow down, notice the individuality of native trees, and deepen their connection with the Australian bush. Joining the Royal Art Society marks another step in this journey. I look forward to exhibiting with the Society, meeting fellow members, and continuing to develop my work while contributing to this respected artistic community. I would like to thank the Royal Art Society of New South Wales for welcoming me as a member, and I look forward to the opportunities and friendships that lie ahead.
