One question keeps coming up: what’s next?
I’m delighted to share that my work has been selected as a finalist in the Hunters Hill Art Prize 2026. It’s an honour to be part of this exhibition alongside a strong group of selected artists, all coming together in the beautiful Hunters Hill Town Hall.
The work I’ve entered, Soft Country — Eucalyptus Socialis, continues my exploration of Australian native trees — their presence, individuality, and the subtle complexity of their colour and form.
If you’d like to see it in person, here are the exhibition details:
Buyers’ Preview
Thursday 21 May 2026, 7pm – 8pm
Canapés and drinks available
Opening Night
Friday 22 May 2026, 6pm – 8pm
Canapés and drinks available
General Exhibition
Saturday 23 May – Sunday 31 May 2026
10am – 4pm daily
Location
Hunters Hill Town Hall
22 Alexandra Street
Hunters Hill NSW 2110
Tickets will be available online closer to the date trough Hunters Hill website.
I hope to see you there.
Colours of Freedom was a group exhibition by True Blue & a Little Bit of Yellow, created to honour Ukrainian Independence Day on 24 August. The exhibition brought together Ukrainian artists living in Australia around a simple but powerful challenge: to create works using only two colours — blue and yellow. Within this limitation, each artist found their own voice. The palette became a shared language, symbolising freedom, hope, and the ongoing journey of Ukraine’s independence. Despite the restraint, the exhibition was rich in emotion, interpretation, and strength, reflecting resilience through colour alone. The exhibition was generously supported by the Balmain Association and the Ukrainian Council of NSW, and was presented across two locations: Balmain Watch House Gallery from 11–13 August 2023, and Woollahra Redleaf Gallery from 23–25 August 2023. Colours of Freedom stood as a reminder that even with the simplest means, art can speak clearly, carry meaning, and bring people together in solidarity.
My journey with jewellery began in 2008, after a workshop in Kyiv sparked my curiosity about working on a small, intimate scale. What started as experimentation soon grew into a deeper fascination with adornment as both object and cultural expression. My interest truly ignited while curating a fashion show of traditional Ukrainian clothing. Immersing myself in the richness of these garments led me to closely study traditional Ukrainian multi-row jewellery — its structure, symbolism, rhythm, and presence. These pieces are more than decoration; they carry history, identity, and a strong visual language. Since then, I have created hundreds of jewellery pieces, each one informed by that tradition while shaped through my own contemporary sensibility. Working at this scale allows for precision, repetition, and variation — a dialogue between heritage and personal expression. Jewellery, for me, is another way of telling stories through form and material — wearable, tactile, and closely connected to the body.
