
Colours of Freedom was a group exhibition by True Blue & a Little Bit of Yellow, created to honour Ukrainian Independence Day on 24 August. The exhibition brought together Ukrainian artists living in Australia around a simple but powerful challenge: to create works using only two colours — blue and yellow.


Within this limitation, each artist found their own voice. The palette became a shared language, symbolising freedom, hope, and the ongoing journey of Ukraine’s independence. Despite the restraint, the exhibition was rich in emotion, interpretation, and strength, reflecting resilience through colour alone.
The exhibition was generously supported by the Balmain Association and the Ukrainian Council of NSW, and was presented across two locations: Balmain Watch House Gallery from 11–13 August 2023, and Woollahra Redleaf Gallery from 23–25 August 2023.
Colours of Freedom stood as a reminder that even with the simplest means, art can speak clearly, carry meaning, and bring people together in solidarity.















Being part of the Heartlands multimedia performance at Cell Block Theatre, Sydney, was a true privilege and an honour. It was a project driven by an incredibly motivated and generous team — a real dream team — and the result was powerful. A person, who came up with the idea of this unique event never held in Sydney before, creative director and producer of Heartlands – Linda Gough. For this performance, I created the artwork of a golden wheat field rising from black soil. Ukraine is often called the breadbasket of Europe, and its fertile land has long nourished not only grain, but literature, music, and cultural memory. This image became the visual heart of the event, reflecting both abundance and endurance. Heartlands offered audiences a deep experience of Ukrainian culture through poetry, music, storytelling, food, and shared presence. To my knowledge, it was the most substantial Ukrainian literary performance ever staged in the Southern Hemisphere, and I am proud to have supported it. My role extended across the full visual identity of the event. I created the key artwork used throughout all materials, designed print collateral including posters, programmes, and food signage, developed digital assets for multiple platforms, and contributed to stage design. During the performance, my artwork formed the visual backdrop on the large screen behind the performers, shaping the atmosphere of the evening.

Knowing your tools deeply — how they behave, how they age, how they respond to light and heat — changes the way you work and the confidence with which you make decisions. During my time at Azur Studio in Kyiv, we took part in a number of art trips across Europe, visiting paint and medium manufacturers directly. These experiences were invaluable. Being able to ask questions about materials from the people who created them — the chemists, designers, and technicians behind the products — gave us insights no manual or catalogue ever could. Who could know the materials better than those who developed them? Along the way, we also participated in workshops with local designers who introduced us to the full potential of different gels and pastes, transparent and opaque paints, and specialised products for textile decoration and pseudo stained glass. We explored techniques for creating patina, working with gilding, and layering surfaces in ways that expanded both technical knowledge and creative possibility. I often find myself missing those times — being surrounded by like-minded professionals, travelling, learning, experimenting, and talking endlessly about what we loved most: paint, surface, and decoration. Those journeys shaped not only my technical approach, but also my respect for materials as active partners in the creative process.