Balmain and Woollahra exhibition Colours of Freedom

Light from within artwork depicts dark blue sky and light blue eucalypts

Colours of Freedom was a group exhibition by True Blue & a Little Bit of Yellow, created to honour Ukrainian Independence Day on 24 August. The exhibition brought together Ukrainian artists living in Australia around a simple but powerful challenge: to create works using only two colours — blue and yellow.

Balmain poster
Sold artworks

Within this limitation, each artist found their own voice. The palette became a shared language, symbolising freedom, hope, and the ongoing journey of Ukraine’s independence. Despite the restraint, the exhibition was rich in emotion, interpretation, and strength, reflecting resilience through colour alone.

The exhibition was generously supported by the Balmain Association and the Ukrainian Council of NSW, and was presented across two locations: Balmain Watch House Gallery from 11–13 August 2023, and Woollahra Redleaf Gallery from 23–25 August 2023.

Colours of Freedom stood as a reminder that even with the simplest means, art can speak clearly, carry meaning, and bring people together in solidarity.

Tetiana Koldunenko contemporary Australian artist in front her works
Blue and yellow artworks on the wall
Artists in front of Balmain gallery
Balmain exhibition
Tetiana Koldunenko in front her artwork
Yellow landscape of Australian bush by Tetiana Koldunenko
View of island Hortytsia on Dnipro river
Mayor of Willoughby Tanya Tailor, director of Ukrainian school artist Tetiana Koldunenko and kids at the exhibition

“Australiana — Incinerator Art Space”

The 7th fundraising exhibition by True Blue & a Little Bit of Yellow took place at Incinerator Art Space, Willoughby, from 16–27 November 2022, and remains one of our most memorable milestones. Over two weeks, we were overwhelmed by the support, kindness, respect, and genuine engagement from the local community. Australiana brought together seven artists and resulted in 18 of 30 artworks sold, with close to $10,000 raised to support people in Ukraine during a time of great need. The exhibition was alive with connection and participation. I conducted two highly successful workshops on site, including a painting workshop where Scarlett Banksia bloomed across every artwork, and a special children’s workshop for students from Nova Ukrainian School. Seeing young participants engage with art in this context was deeply moving. We were honoured to welcome remarkable supporters and guests at the opening, including Mayor of Willoughby City Tanya Taylor, MP Tim James, Honorary Consul of Ukraine in Sydney Jaroslav Duma, Deputy Chief of Mission Volodymyr Shalkivski, Co-chair of the Australian Federation of Ukrainian Organisations Kateryna Argirou, and many others. The opening was enriched by the music of Harrison Taranec on tenor saxophone, and the closing event was beautifully marked by violinist Maryana Sywak from Jaga Band. Australiana was more than an exhibition — it was a shared effort, a meeting of art, community, and generosity, and a powerful reminder of what can be achieved when people come together with care and purpose.

Giving the main image as a gift to the producer

“Heartlands — A Multimedia Performance”

Being part of the Heartlands multimedia performance at Cell Block Theatre, Sydney, was a true privilege and an honour. It was a project driven by an incredibly motivated and generous team — a real dream team — and the result was powerful. A person, who came up with the idea of this unique event never held in Sydney before, creative director and producer of Heartlands – Linda Gough. For this performance, I created the artwork of a golden wheat field rising from black soil. Ukraine is often called the breadbasket of Europe, and its fertile land has long nourished not only grain, but literature, music, and cultural memory. This image became the visual heart of the event, reflecting both abundance and endurance. Heartlands offered audiences a deep experience of Ukrainian culture through poetry, music, storytelling, food, and shared presence. To my knowledge, it was the most substantial Ukrainian literary performance ever staged in the Southern Hemisphere, and I am proud to have supported it. My role extended across the full visual identity of the event. I created the key artwork used throughout all materials, designed print collateral including posters, programmes, and food signage, developed digital assets for multiple platforms, and contributed to stage design. During the performance, my artwork formed the visual backdrop on the large screen behind the performers, shaping the atmosphere of the evening.

An award winning culinary book Taste of Ukraine

“Books”

Books have always felt magical to me. Unlike social media, they don’t disappear into a feed — they stay in your hands, on your shelf, and in your life. A book captures what’s important and preserves it for generations. And to make that experience meaningful, every detail matters. Over the years, I’ve worked on many publications — sometimes creating the layout, other times designing covers, illustrations, or managing the entire visual direction. One of my favourite projects was Taste of Ukraine, published by the Australian Publishing Company (sovabooks.com.au). I created the cover illustrations and the full layout — and the book went on to win the 2013 Gourmand World Cookbook Award. I’ve also worked with community organisations, including Ukrainians Down Under for AFUO, where I served as both editor and designer for their catalogue. Four Jubilee Book for Intersession of Holy Virgin Parish is one of the thickest and most comprehensive publication I’ve worked on to date. Each book is its own world — structured, tactile, permanent. And I love shaping those worlds so they’re clear, beautiful, and built to last.